“In the 1920s O G S Crawford invented aerial archaeology, one of many services this eccentric Marxist misanthrope performed for the study of antiquity.”
- Jonathan Meades: Link

Bloody Old Britain: O G S Crawford and the Archaeology of Modern Life

By Kitty Hauser

Granta Books, 286pp

Amazon: Link

“Future archaeologists will perhaps excavate the ruined factories of the nineteenth and twentieth centuries when the radiation effects of Atom bombs have died away.”
- O. G. S. Crawford, from Archaeology in the Field (1953)

O. G. S. Crawford @ Wikipedia: Link.

~ Karl Jones

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Tonight I joined a dynamic discussion about how to make TheStoreFront Community project self-sustaining...and I couldn’t help but flash back into the early days of when TakingITGlobal was founded and we had our discussions on what future directions we would take and how our ideals and dreams could be transformed into actionable plans. Of course, even after 9 years of having the ‘idea’ of TIG, the essence of having challenging strategic conversations still remains part of my current reality – however the energy in the room this evening reconnected me to the Fall of 2000, when we hosted meetings with invitations sent out to friends, organizations and those who joined our website from Toronto.



The dynamics of the room jolted from cohesive and interconnected to somewhat tense given the financial realities of the project. Earlier this year, a 1000 square foot store front space was established in order to serve as a support and communication network in the context of an urban village. Starting in January, the costs of rent will be doubled and the project in its current state does not generate enough revenue to afford costs of rent or administration. That said, an exciting range of events have taken place in recent months including a documentary with interviews of people in the neighbourhood, the inaugural BIG on Bloor Festival (bigonbloor.com/festival), the “b-l-o-o-o-o-r” design campaign including sales of well designed American Apparel t-shirts and bags, the “Everything Local” silent auction event and hosting of meetings, events and exhibits including the Afri Village Fest front window presence & photo documentation.

The project was made possible through a partnership between ThinkTankToronto, Business Improvement Area Office, and a group of students and faculty at the Ontario College of Art and Design (OCAD).

A key driver and designer of the initiative is a former TakingITGlobal staff member, Ghazaleh Etezal who is currently 21 and worked with us as a graphic designer in 2006. As I connected with Ghazaleh this evening, it was amazing to see her in action in her role as one of the connectors and in hearing people reference her contributions of design, research and coordination for TheStoreFront. It was also great to chat with Ghazaleh this evening and hear her attribute TakingITGlobal as part of her inspiration for the project.



In many ways, the place based goals of creating community for TheStoreFront initiative are aligned with the global online community objectives for TIG. As explained on the website, TheStoreFront aims to be “the common space between two separate disconnected worlds of youth, institutions, neighbourhood NGOs, programs and services available within the BloorCourt and BloorDale Villages (Christie to Lansdowne on Bloor West).” On a conceptual level, it is intriguing for me to observe and be part of a conversation about how to grow and sustain a space that supports vibrant community engagement.

Some of the ideas shared this evening that are most interesting to me include:

- Having a paid membership fee (i.e. $10/month)
- Hosting regular meetings (weekly or monthly) for ‘members’ to attend which would serve as a social space, with topics of discussion
- Utilizing the space to feature the products of local artists (i.e. clothes, jewlery, artwork)
- Having a cafe space with organic chocolate & other organic snacks sold
- Renting out the space to community organizations for events/meetings
- Offering workshops to help meet needs of community members (i.e. English as a second language, or focusing on a particular craft/skill with guest speakers etc).
- Establishing a core base of volunteers (i.e. a partnership with the neighbouring Working Women Community Centre), to offer an experience for newcomers to Canada living in the neighbourhood which would help to ensure that core responsibilities are fulfilled (i.e. keyholders with people who are responsible for opening & closing up the space)

One concern that emerged from the discussions was the issue of timing and how challenging it will be to raise sufficient funds in time for the end of the year. There was some discussion on what the concept or project would be if it did not live in the specific space at 957 Bloor W – however most of the ideas generated were aimed at trying to keep the space alive.
If it ends up not being feasible to maintain the 957 Bloor W StoreFront space due to costs, my recommendation is to develop stronger partnerships with existing places designed for the community (i.e. local community centres, employment centres, libraries etc) and try to help revitalize existing spaces that are supported by the government and that have a history of serving the community. While I love the idea of transforming commercial spaces into being community driven and serving, it may be too challenging to develop a financially sustainable model at this current time due to current economic realities.

On a final note...I do hope that the financial challenges can be overcome and that a proven model can be developed, shared and scaled with other communities!

Here's a list of who came:

Night at the Indies / Meow Films: Gurbeen
Community Arts Collective / Daily Bread Food Bank: Jim
BIG and BIG Festival: Ann
People Plan Toronto: Ann
DIG IN: Donna / Ann
Torontopedia: Himy
Working Women: Diana / Jessica
BloorCourt BIA: Shelley
IF Theatre: Sara
Supportive, active, creative, engaged dedicated locals: Ryan / Michelle / Phil / Darcy / Leah / Leigh / Chatherine S / Craig / Camilo
Delaware Residents (Street Festival): Rosalie
Delaware Open Space: Darcy
Humanist Movement: Nick / Roberto
Sistering (past Chair): France
Green Party: Steve
Annex Lions Club: Monica
Wireless Toronto: Gabe
Concord Café: Genoveva
Christie Ossington Neighbourhood Centre: Tim
Dufferin Grove Residents Association: / Rob
Anarchist U: Christian / Maggie
Laidlaw Foundation: Ana
Globe & Mail: Nadja
Property Owner 957: Robert Markovits
Chemistry Branding (consultant and partner): Will
Jim Allen Photo: Jim
TakingITGlobal: Jennifer

[unconfirmed]
Freedom Clothing: Amanda
Parkdale Liberty: Jennifer
ArchiTEXT: Zahra
Long & McQuade: Jon
Toronto Poets: Jason / Hajile
Linux Caffé: David

I am tired of repeated attacks by terrorists in India. I would blame our vulnerability on poor intelligence and lack of border security. But the worst thing that affects me as an Indian is the repercussions. Its terrible to know that these terrorists always end up being identified as Islamic terrorist, as Muslims. After the dastardly terror attacks in Mumbai, the mood among people is vitriolic. I read a comment on an indian forum where this person said that he wants to drag muslims out like dogs and kill them on the streets. I am so upset that terrorists always end up being muslims.I won't shy away from admitting that a lot of muslims actually think it is not at all a wrong thing to be a terrorist and to kill someone. But the majority do not, and that is important. I personally feel that Muslims in India have far greater freedom than even in any other Muslim country. But the views across the border are that Indian Muslims are illtreated and live a very miserable existence which isn't true at all. It is a difficult time for muslims I think all over the world because we have to tell the world that we are as much against terrorisma dn mindless bloodshed as any other peace loving human being. i don't understand what or who these terrorists are following. But they're successful in one thing and that's destroying the image of islam.

We all know about the terror attacks in Mumbai which took place a few days ago. One of the terrorists gave the message to a news channel that he wanted an end to the mistreatment of Kashmiris and to liberate kashmir. There was a discussion thread posted by sqafzalrizvi who stated there was a totalitarian regime in Indian Kashmir. A couple of months ago, a Kashmiri I had met told me that the Indian people and the Indian government were the cause of all their problems. And that he didn't want to go to Pakistan, but then, Indians were the cause of his woes.
My mother's first cousin, who is as old as me, from the nda, was posted in kashmir. All he could say was that the people in Kashmir don't co-operate with the army, and are never ever truthful. That its impossible to get a straight answer from them.
What exactly does the average kashmiri want ? I can't it figure out.
And why does pakistan want Kashmir ? Why should Kashmir be a part of Pakistan ?
This issue is being given a whole islamic twist to it, so terrorists are using it as a reason for their attacks.
The following words are attributed to Aurangzeb, the much maligned Mughal king who practiced puritanical islam , but who was nevertheless a very just ruler :
"Three peoples will always trouble India.
The first sindh,
the second the gujratis
and third, bazaat-e-kashmir"

Kissed by Snow (Sedona, Arizona, 2000) photo by Light

Kissed by Snow is a moment of magnificent Creation seen through the eyes of Light Traveler. Majestic red rocks, caressed by clouds and kissed by snow with dancing light and soft dark shadows. Sedona is a beautiful pallet, a visual feast and an energetic hotspot. Wonderland….

Lovely photos of Sedona and festive trimmings by Light to begin December’s Holiday Season.

Everyday throughout December I will post a new inspirational blog dedicated to Spirit and the Holidays… music, art, photos, videos and customs from many traditions.

Come by for a visit everyday if you like and fill your cup with some Holiday Cheer.

HAPPY HOLIDAYS!  

Light Traveler (August 1946 - July 2003)  photographer, Reiki Master/Teacher, spiritual seeker and beautiful loving Spirit. He filled my life with awe and wonder. Here’s to you Light!!! You can see more and purchase his beautiful photography at Light Traveler’s gallery.

~Bonnee Klein Gilligan

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I'm a little bit more
In love with you
Each morning
When I wake up.

I'm a little bit more
In love with you
Every time
You say my
Name.

I'm a little bit more
In love with you
Every time
You walk into the
Room…

I'm a little bit more
In love with you
every day and every year.

Foxknot by Stephanie Pui-Mun Law (2002) watercolor 16 x 18

Movement, strength, mystery, nature, earth and a little whimsy too. Could this be an Animal Ally knot with Fox-faeries? As such the knot would impart wisdom of fox with a fae influence. The circular knot is a symbol of interconnection, unity and eternity. Fox imparts the ability to watch the motivations and movements of others while remaining unobserved. Faery is otherworldly, magical and mysterious; not of this world, nor influenced by it. This knot would be a spiritual tool to help the person become a silent watcher who moves easily between worlds. I love this wonderful, whimsical interpretation of a Celtic Knot.

A deeper understanding of Celtic knots and Animal Allies:

The Celtic knot symbolizes the Thread of Life. To the Celts, the human soul was thought to be a fragment of the divine, which will ultimately return to its divine source. Through successive rebirths the soul rids itself of its accumulated, inherited impurities until it finally achieves the goal of perfection.

The interlaced, or latticed, knotwork patterns, with their unbroken lines, symbolize the process of humankind’s eternal spiritual evolution. When the cord is unravelled, it leads us on. A knot lattice can be used as an aid to concentration by occupying the conscious mind with a demanding repetitive task.

Our Animal Allies or helpers choose us to help us with our growth and understanding.  A detailed description of Celtic Animal Allies.

 

Stephanie Pui-Mun Law is a 31 year old artist/programmer. She began painting otherworlds in early childhood.  Graduated from a program of Computer Science in 1998. After working in programming for three years, She left the world logic for the world of fae; painting full time.  You can read news, learn about watercolor painting, browse her galleries and purchase paintings at www.shadowscapes.com.

~Bonnee Klein Gilligan

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Rome: It’s beautiful and it’s not. Kinda like everything else in life.

“La prossima fermata è Roma Termini.”

I moved to Italy to live at the end of September last year. I lived in Brescia (a medium-sized city in Northern Italy) until March 1, when I moved to Siena.

(I am once again back in Brescia, but that’s a story I’m going to save for another day.)

I picked up some vocabulary during those first five months in Italy, but it wasn’t until I started attending an Italian class for immigrants in Siena that I really started learning the language.

Now, finally!, I understand much of what is being said either to me or around me. The language no longer sounds foreign or like pretty sounds flowing forth from people’s mouths. Although I’m more motivated to learn the language–because it finally seems like an achievable goal to converse fluently–the glossy veneer of the nonsensical musical sounds has dulled. I don’t know, there’s something about understanding when somebody complains about the weather (or conversely, the ease in which I can complain about it) that makes any language sound less romantic.

Shiny glossy veneers are so overrated. Don’t you think? I mean, a veneer is just a thin expensive sheet of wood (or metal) with layers upon layers of unusually toxic clear varnish. If it wasn’t for the common cheap material beneath (like pine or regular mild steel), the veneer would have nothing to attach itself to.

And I’ve always preferred the look of a dull, used or aged finish anyway…and now that I’ve exhausted my analogy I’m finished with this post.

But one more thing before I go to bed on this hot summer night: it is nice to know that you can simply listen to the conductor to know when your next stop is and not have the nervous wondering of whether you’ve missed it or have yet to arrive.

Arrivederci a dopo.

~Janelle Renée

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Natural Touch is a Non Governmental Organisation based in Calabar the Eastern part of Nigeria.The inspiration come from a point of observation of handicapped people and Children roaming the streets of some citites in Nigeria mostly in Calabar begging for alms.
Most of them at the end of the day retired to uncompleted buildings to pass the night,It was a very gory site when a reported case of ritual dehumanising killing of two of such people in a street close to my residence.These two were killed and some part of them remove for rituals activities or some other things not quite known to us.

So touched by such inhuman treament to people because of their inability to defend themselves or provide proper accomodation for themselves,and even a source of livelihood was traumatic,hence,my decision to get the NGO (NATURAL TOUCH) started,with the aim to provide food and shelter for the hanicapped.Make sure there is a future for them and security of life for them.

Upon our inception,we had limited our intention to mostly the young ones and average aged.Although we could not provide accomodation for them but we  provide the basic needs which is food for them atleast once a day.

It is our aim to increase the feeding arrangement to twice a day and also build a home for them.It is our aim to accomodate at least 2000-5000 handicapped people of difiers ages in the home,and Animals too.
With support from other Organisations/Individauls that are touched just as we are.We will establish a school or a handicraft centre for them to study and become independent of their own in future.
Suffice to say here that most of them roam the street with torn cloths and look unkept,We also provide clothing where necessary and affordable to them.
Based on our inability to sustain the financial burden,we are looking forward to Groups or Individuals with similar passion as we have towards uplifting the living standard of these hadicapped and also thinking of ensuring their future.

We are planning of building a home for them in Calabar to accomodate the handicapped and also recruit personnels to take care of their cooking and tranining.
We look forward to support  from passionate groups and individuals.
Thanks,
Dennis

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Technology for human needs:

• The Outquisition
• Engineers Without Borders
• MIT International Design Summit
• Free/Open Appropriate Technology
• Transition Towns
• Technology for Humanity

(...)
Read the rest of Technology for Humanity (735 words)

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(Written for SAWNET, http://sawnet.org/books/reviews.php?Aids+Sutra)



Today there are approximately 3 million Indians living with HIV and AIDS, a number that masks the human faces behind a disease that has been reviled and misunderstood as the worst plague in human history. A disease often considered to afflict only those regarded as the dredges of society, AIDS has the potential both to expose the dark underbelly of society, and also to inspire triumphs of human compassion and perseverance.
AIDS Sutra, funded by the Gates Foundation, is a compilation of 16 vibrant essays about Indians living with HIV by some of South Asia’s most gifted authors, including Salman Rushdie, Vikram Seth, and Kiran Desai. Several of the essays are narrated directly from the authors’ home communities; others are the fruition of their travels to the vastly different regions of India.

Siddharth Deb’s poignant account, “The Lost Generation of Manipur,” brings him to a remote corner of India bereft of employment opportunities and constantly on edge due to communal violence. Uncontrolled injecting drug use in the region puts young people of working age especially at risk for HIV infection.

Salman Rushdie’s piece on the politics and culture of the hijra (intersexed and/or transgender) community is a concise account of a population that defies society´s common [mis]perceptions around gender and HIV risk. Rushdie interviews a transgender AIDS activist named Laxmi, who lives in a constant duality of gender- going as a man by day and living with her parents, and transforming into a woman at night and on the weekends. Her advocacy on behalf of this distinct community in India has helped to distinguish hijras as a third gender- with different needs and challenges than men who have sex with men.

Other stories included in the book examine the lives of truck drivers, sex workers, and devadasis, women traditionally given to god, and nowadays women who choose or are forced into sex work as a means of income generation. In Sunil Gangopadhyay’s essay, “Return to Sonagacchi,” the author returns home to Kolkata to compose a compelling account of the lives of sex workers in Sonagachhi, narrating both the deprivation they face and also their power as an organized movement fighting for their rights as sex workers to safety, health services, education for their children, freedom from police persecution, and dignity.

Bill and Melinda Gates give the anthology’s introduction, and its insightful forward is written by the Nobel Prize-winning economist and author of Development as Freedom, Amartya Sen. Sen revolutionized the traditional economic paradigm by asserting that development is not simply about increasing per capita income, but rather “a process of expanding the real freedoms that people enjoy.” His examination of the economic effects of AIDS in India is nuanced in its consideration of both the beneficial impact of Indian pharmaceuticals in producing affordable antiretroviral drugs for much of the world, and the irony that income disparity in India prevents the majority of Indians living with HIV from accessing treatment, quality medical facilities, shelter, employment opportunities, and community support.

Sen argues that stigma is the primary fuel of the epidemic in India, where widespread ignorance pervades about how HIV is—and is not—transmitted. Among young Indians just reaching working age, knowledge how HIV is spread is dismally low at 25% of the population according to UNAIDS (20% comprehensive knowledge among women and 36% among men). Because many Indians still believe that HIV can be transmitted through touch, sharing food, or through aerosol transmission, Indians living with HIV face discrimination in schools and workplaces, ostracization, rejection from their families, and in many cases, violence and even death.

India’s uncomfortable and often times paradoxical relationship with sex and sexuality is often at the root of ignorance and discrimination against HIV, with 87% of new infections in India occurring through unprotected sexual intercourse each year according to India’s National AIDS Control Organization. Despite an ancient culture rich in celebration of natural human sexuality, imperial-era taboos surrounding sex continue to create a stifling conservatism that limits access to scientific information about sexually transmitted infections, reproductive health, and the rights of women and sexual minorities.

In Amit Chaudhuri’s essay, “Healing,” he remarks that “The troubling ambiguity of sex through history— the fact that it bestows life and pleasure, and also, in a way that can’t be entirely explained by morality, confuses and shames— have converged in a new way upon this disease.” His interviews with Alka Desphpande, an AIDS researcher and physician in India’s first AIDS ward, reveal the challenges faced even by the medical community in becoming educated about HIV. Large numbers of Indian health care workers still believe that HIV is transmitted by touch, and widespread denial of treatment and discrimination against people living with HIV is common.

The first essay “Mister X Versus Hospital Y” by Nikita Lalwani tells the story of a Dr. Tokugha who is infected with HIV and becomes an important activist when his results are disclosed to his family (and bride-to-be’s family) before he himself is made aware of his status, just days before the wedding. His lawsuit against the hospital’s breach of his privacy sparked controversial debate and the release of his name in newspapers all across India. The court ruled against him, “decreeing that the hospital’s release of the information to the minister without his consent had ‘saved the life’ of Toku’s proposed fiancée. The essay forces us to consider the complexities behind forced disclosure of one’s HIV status. Not only was Dr. “Toku”’s right to self-disclose taken away from him, the judge tacked on a devastating addition to the ruling, that suspended the right of HIV positive people to marry. The laudable human rights organization, The Lawyers’ Collective, fought for years to restore this basic human right to people living with HIV, succeeding in 2002. Since then, Dr. Toku has become a prominent physician in the field, and goes above and beyond by arranging matches between people living with HIV.

Discrimination and national legislation intersect most brutally in India with the penal code provision 377 that makes homosexuality a criminal offense. Drafted in 1860 during British Rule, the anachronistic law fines and imprisons Indians caught in the act of sodomy and even oral sex for between ten years and a lifetime in jail. The law has served to drive homosexuality “underground” where men having unprotected sex with men cannot be reached for HIV awareness raising, sexual health services, STI screening, or recourse for police persecution and demanding of bribes.

One story included in the collection was strikingly disappointing— to the point of giving offense. Shobhaa De’s “When AIDS Came Home” reveals the author’s ignorant, discriminatory and classist lack of understanding of HIV and AIDS. Her account of how her driver becomes infected with HIV and gradually dies from AIDS is peppered with comments about her “repulsion” that he had spent so much time with her children, speculations about his involvement with sex workers and his sexuality, and self-congratulatory accolades when she provided occasional money for a doctor or medicine.

De’s piece examines her misconceptions about AIDS and vaguely suggests that she has seen the error in her was (perhaps simply because it would not be politically correct to admit otherwise), but still fails to include what lessons she has learned. Indeed, to conclude her story Shobhaa marvels that “Although they are such an intimate part of our lives, how little we really know about the people who work for us… it took Shankar’s death to see him as a human.” She concludes by lying to her children and telling them that the driver was infected through a blood transfusion because the reality that many men purchase sex is too shocking to bear.

By far the most thought-provoking inclusion in the anthology, Siddharth Dhanvant Shanghvi’s “Hello, Darling,” diverges from the book’s overall focus on more “marginalized” populations of sex workers, drug users and truckers, to recount the life experiences with HIV of an upper-class homosexual film director whose pseudonym is given as “Murad.” Openly flamboyant, driven to success, and yet still slow to “come out” about his homosexuality, and later, HIV status, Murad escapes the confines of Bombay and moves to New York City. He is unable to move in the local film circuit and returns to Bombay years later, where he eventually succumbs to AIDS.

Shanghvi’s piece is particularly well-researched and deeply-felt; his account considers early chronicles of the impact of AIDS on art and artists in Edmund White’s “Esthetics and Loss,” and the strange phenomenon of how AIDS “got noticed,” as explained in Urvashi Vaid’s “Virtual Equality,” in which she observes “how the passing of an entire generation from AIDS helped give rise to the modern idea of homosexuality: thousands of men had to die, in fact, to have to be seen as alive in the first place.” Shanghvi’s inclusion was particularly important and contrasted sharply with De’s story. “Hello, Darling” should serve as a wake-up call to elites believing in their infallibility, since the risk behaviors that propel the spread of HIV in India are by no means limited to lower socioeconomic echelons of society.

Overall, the anthology is an important, moving, and transformative read. Each story is relatively brief and gives a taste of the authors’ diverse and prolific literary talents. Some tales, such as De’s, are clearly geared toward upper class Indians who are beginning to understand the complexities of the AIDS epidemic in India. Still others delve into economic, political and human rights aspects of the disease. Till now, literature and artistic works on AIDS in India have been limited and relatively unknown. AIDS Sutra gives voice to communities and individuals that have been destroyed, silenced, affected and transformed by AIDS in a jarring and yet deeply meaningful manner.

‘The Prayer’ - live duet by Céline Dion and Josh Groban

HAPPY THANKSGIVING! A wondrous remembrance of thankfulness for this day and everyday.

An amazing, moving performance. Beautiful voices coming together in perfect harmony. Could feel Spirit moving through them both. Gave me chills and brought tears. Very touching!

Live duet by Céline Dion and Josh Groban at Concert for World Children’s Day in 2000 singing The Prayer. First included on the album: These Are Special Times 1997 (promo), won the Golden Globe Award for Best Original Song 1999; Soundtrack from the movie Quest for Camelot 1998.

Céline Dion and Josh Groban also preformed ‘The Prayer’ live during her CBS TV special, aired  February 15, 2008. This live duet was released as a digital single.

Céline Marie Claudette Dion born March 30, 1968 in Charlemagne, Quebec, Canada is a singer/songwriter/actress. She is the youngest of 14 children of a highly musical family. She began singing at age 5 and regularly preformed with her siblings at a nightclub her parents owned. Céline began to receive recognition for her talent in 1982, winning the Gold Medal at the Yamaha World Song Festival in Tokyo, along with the coveted Musician’s Award for Top Performer. In 1983, she became the first Canadian ever to receive a Gold Record in France. In 2004, after becoming the best selling female artist of all time, she was presented with the Chopard Diamond Award at the World Music Awards. You can read news, listen to music, and watch videos at her website www.celinedion.com.

Josh Groban singer/songwriter was born February 27, 1981 in Los Angeles, California. In 1997 and 1998 he attended Interlochen Arts Camp, majoring in musical theater and voice. He graduated in 1999 with a major in theater from Los Angeles County High School for the Arts. Soon after graduation he was offered a recording contract at Warner Brothers Records. His recording debut was singing “For Always” with Lara Fabian on the soundtrack to A.I.: Artificial Intelligence (2001). Read news, listen his wonderful music, watch videos, see photos and read his blog at www.joshgroban.com.

~Bonnee Klein Gilligan

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we just completed first yaer of wedding.i just couldnot believe that a year has flied so soon. i was looking at the yaer gone by .i just could not say it was great. it was normal. now the thing is i find it difficult to believe that there were days when i was not married. i just feel that i was married with my husband ever since.i find it difficult to remeber life before my wedding.
its not that things have been great in alst one year. infact there were a lot of professional upheaveals and family problems. yet w estuck together. our relationship is base don sharing of mutual pain and tears and that's why it is very strong.
we have hardly taken time out on enjoying each other's company as work was always a priority.yet we what we have managed is we have laernt to understand each other very well. our temperaments have gelled. this is despite the fact that our was a arrange marraige and w ehardly met before our wedding.we have weathered many crisis together and are still trying to sail our boat together.
life has not been kinder on us buut w ehave found time to smile .

Art for me
is a journey
into the unspoken, unknown, unwanted and unheard
realities of our shadows
and of our hopes.

We are suspended in time
glimpsing in the mirror
of our future and our past
They flash before us and cause a jolt
of hope, of fear, of want, of release.

Our senses on overload
we admire and adore
our object of fascination
representing the idol we love
and demon we hate.

we forgive
we empathize
we heal
we bathe
in beauty
and bliss.

This is art
for me.

Manresa - Rose Faerie by Bonnee Klein Gilligan, (1998) pastel drawing 9″ x 12″

Manresa is of and responsible for the red rose. She can help in all aspects of love and fertility. She is luminescent with a rainbow-like shimmer on the surface of her being. She has wings like a dragonfly and hair of white light. Often she appears like a ball of bluish-white light. If you enjoy Manresa and would like to own a copy you can purchase prints at my Spirit Art Gallery.

Definition of Fairies from one of my favorite metaphysical reference books: ‘The Donning International Encyclopedic Psychic Dictionary’ by June G. Bletzer, Ph.D.

Faerie (Latin fata; Archaic fay, means “enchanted”) a small, ethereal replica of a human in appearance and mannerisms. Desires a rapport with humans but lives in its own invisible culture. A collective word used to mean the whole lower-half of the angel being kingdom of over 1,000 varieties. Work with and have charge of the four elements of air, fire, water and earth under the supervision of the angels. Pure elemental vortexes of energy. Light energy field capable of forming an etheric body of substance drawn from the etheric double of earth to carry out its function. Live in the rhythm of nature. Synchronizes its heartbeat to that of the work at hand. Concerned with the process of nature’s evolution and its service to humanity. At times fairy gives off a luminous reflection and at times it takes on the shape of a human form, altered in size. Human form changes with locale. Appears in either gender but most often prefers male gender. Body appears loosely knit and felt to have a dense body inside the light body. Can be perceived clairvoyantly and seen with physical eyes. Cannot be touched. Materializes and dematerializes itself going from dimension to dimension very quickly. An energetic vapor-like ethereal substance using the same material that feelings are made of; responds quickly to human emotions. Has a sensation consciousness similar to the plant kingdom. Posesses the ability of sending an electric charge to stimulate the human intellect and emotions in order to communicate with them. Actions and thoughts influence mankind’s ethereal bodies. Neither an angel nor a devil put mediate space between mankind and angels.

~Bonnee Klein Gilligan

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